To the left of my bicycle wheel, an ocean yaws off a ridge. Looks like the end of the world, gravity wrenched into a concave when the moon fell. Stare into a valley of slip, roil and foam. To the right of my wheel, quicksand ripples away into the rigor mortised heat of an infinite desert. Both deadly but the ocean apocalypse seems worse right now. Probably because of the noise.

“Keep your wheel straight!” screams Celine over my shoulder.

She’s hooked her arms under mine. Her seat is loose and she’s nervous about it. Behind my ankles the rusty spikes where Celine’s pedals used to be spin in the elemental glare.

“Faster!” she screams.

My wheel churns on an edge between two fates. Mesmerizing, a tightrope walk along a jaw. I don’t look into the cosmic ocean bowl or I’d get sucked right in, a trick of perspective, but the siren surf roars so wildly half of me swells with blood that yearns to surge out. There’s nothing so addictive as annihilation, that’s what all the substances try to emulate.

“Straighter!” screams Celine.

She won’t tell me whether or not the forest and beyond that the field where we can build a house is just up ahead or five miles off in case I falter at the moment I feel hope, just like she won’t look into the ocean either, or cry.

Seyward Goodhand’s fiction has appeared in echolocation, PRISM International, Grain, Riddle Fence and Journey Prize Stories 23.

Unfortunately, for me, that one gesture clarified the situation. We were on West Broadway and Broome, crossing north.  I reached up and straightened the collar of his blue coat. Without a word, I knew. I knew as soon as he reached his hand up and put the crease back in that collar.

I knew I was this white girl who wanted too much, was too married, and wore her skirts too long. And that he was a black man with youth and beauty, the hands of an aristocrat, and standards.

I knew then that’s who we were and who we’d always be.

The gulf widened and we were both swallowed up.

Jody Falco is a writer living and working in New York City.

I want to die under Glencar Waterfall. My parents are taking pictures of it while my Grandpa starts telling us some fairy tale about a family of sidhe that haunt the waterfall behind the veil of their plane of existence and I want so badly to dive off the rising walkway. Onto the rocks. Crush my skull. Let the falling flow batter what’s left of me to meatshreds. I do not want to leave a beautiful corpse. There is no such thing.

“They say if you squint at the water, you can see the faces of the fairies,” Grandpa says.

Every word I have to listen to exhausts me more and more. I feel like I can barely stand by the time I ask him, “What even are fairies?” and before I finish asking, I wish I had no mouth.

Grandpa says, “They’re many things. Might be magic, might be spirits. Might be both.”

“So they’re ghosts,” I say. I’m thinking my parents either can’t hear or don’t care. I am always thinking this.

“They could be,” Grandpa replies.

So I straighten myself. All over, my body goes rigid. In the waterfall I look for faces, and I imagine someone, someday, gazing into it as well and making out the foam-white impression of my face. They call me a magic spirit. They don’t know anything about the beaten wisps of tissue I left behind, years or decades or centuries earlier. I bet my parents are looking at old suicides as they snap away at the image of the fall.

Grandpa takes a breath of the forest air and says, “It’s so peaceful here.”

And it is, I agree.

Natasha Arnold is a third-year student in Old Dominion University’s Creative Writing MFA program. Her work has been featured in Oblong Magazine, and will be featured in The New Guard’s fourth volume as a Machigonne Fiction Contest finalist. She currently lives in Norfolk, Virginia.

Excluding holidays, almost every Friday evening for the last year, Bill has had plans. He and his wife, Judy, play board games with another couple, their friends, Doug and Annie. The first Friday of the month, the game is Scrabble. The second Friday, it’s Monopoly. The third, Scrabble again. And the fourth is a wild card. Who chooses the wild card rotates, as does the couple in charge of snacks and refreshments. Bill’s wild card is usually Trivial Pursuit, which he usually wins, but not always. He’s seriously weak when it comes to the Arts and Entertainment category. Judy prefers Operation. Doug likes Connect Four, and Annie likes Clue. One time on wild card night, she insisted everyone dress up as a Clue character. She was Mrs. Peacock.

The couples had moved into the same neighborhood down the street from each other, one right after the other. One day, Bill was out mowing the lawn, cross cutting it a second time in order to make checks, like on a baseball field. Doug’s weed whacker was dead. He used this as an excuse to introduce himself to his new neighbor. Bill happily lent his new friend his weed whacker, and he went ahead and gave him a bag of commercial grade fertilizer and a broadcaster to apply it. When Doug promised to pay Bill back, Bill told him, “Don’t sweat it, man.”

Judy and Annie work together at the drywall plant, but they don’t work on the line. Each was fast to point this out to the other the day they officially introduced themselves in the cafeteria. “I’m an accountant,” Judy explained. “But I wasn’t always. My psych degree only got me so far, like assistant manager of curtains and drapes at Penney’s. So I went back to school.”

Annie is a database programmer. “How long have you done that?” Judy asked.

Annie said, “Since college. Almost ten years.”

Then they both admitted that they’d watched each other a bit since moving in. They laughed. Annie invited Judy and Bill over for dinner. She said, “That fertilizer sure perked up our lawn right away. Doug couldn’t believe how friendly Bill was.”

Last week it was an angle grinder, a pipe wrench, and an aerator. The week before it was a power washer, a jigsaw, and a leaf blower. What will Doug want to borrow this week? Maybe Bill will refuse.

Steven Ray Miller is from Colorado. A long time ago, he earned an MFA from The School of the Art Institute of Chicago. He currently enjoys living in Milwaukee where he teaches composition at the local technical college. He and his super smart wife have two dogs, pug mixes named Otis T. Pooch and Edgar Von HuffNPuff. Steve’s garden is small and sometimes successful.

A hook right into the left temple. Then: look down, hands and knees, blink to find color. The rest is faded. Open eyes reveal the pastels of stopped time. Shut them, psychedelia. Amoebas. Mitosis.

Finding north in the long ribbons of jasmine and honeysuckle. My nose is the most living thing for miles. It is the most interesting person I have ever met.

The yard is clean and well-tended. I’m in the center, but I stand near the hedges lining the perimeter. A sprinkler head is under foot. Soon, concrete.

There’s a heartbeat coming quickly, and there’s a pulse throbbing, and there’s a flash. There is a breeze, there is a thought, there is a fear.

Walking from one freckle on the porch to another, small steps, slow steps, the cellophane wrapping of the world crinkles but it all keeps going.

“Those guys…how hard they get hit…keep going.”

I’ve made sense. I believe I have. I have spoken. The response given was positive, as though I made sense.

They keep talking. The informal, one-minute rounds of our backyard boxing matches have ended. We are tired. We are all satisfied to conclude the session.

There is relief operating at different levels.

Sean Pravica is a writer and entrepreneur living in Southern California. His stories and poems have appeared in a number of places, including Bartleby Snopes and Red River Review. He has been nominated for writing awards, including Sundress Press’ Best of the Net and storySouth Million Writers Award.

A cold rain was falling and the sloping driveway was a waterfall toward the house. Jayne had whined all morning about things, pleaded and argued about her hair and her clothes; she refused to brush her teeth. When she was ready for the day and wanted to go outside to ride her new bike she asked nicely, almost curtseyed her way into it. John obliged. He wrapped her up and packaged her in her over-sized raincoat and her green rain boots; he put her mother’s old scarf around her neck. They pulled the pink bike from the garage; she gazed at it with wide eyes and bit her lip. John wiped the seat before she crawled up, the drizzle from the gutter thumping onto the thinning cowlick on the back of his head.

Ten minutes. Nothing more. Then we go inside, okay?

That’s the deal?

That’s the deal.

Okay, Dada. Push! Push!

John started her on the far end of the driveway reservoir and pushed her toward the sidewalk leading to the front door. The water split under the front tire, pushed small waves to the side. Half way, Jayne’s feet slipped from the pedals and she put them up in front of her and let the pedals twirl underneath by themselves. They reached the end and John carefully turned her around.

Alright, here we go again. This time, keep your feet on the pedals, got it?

Got it, Dada. Push! Push!

They went again, in the other direction. Jayne let her feet slip again and again held them high above the pedals. John shook his head and smiled. They reached the end.

Alright, this time you try. I know you can do it. I’ve seen you.

He rubbed his nose into hers. She smiled brightly and giggled from under her vinyl hood. Rain soaked John’s shirt.

Only if you promise to hold on.

I promise to hold on.

Really?

Really.

Okay, I will try. Don’t let go, Dad.

I wouldn’t dare.

She pushed down on the pedals, lumbering one at a time, and the handlebars turned with each push so that the front wheel was wobbling back and forth the whole way. John held the back of the seat to steady the bike. She got stuck between pedals before the end and couldn’t push through it. She looked back at her father, her face red with anger. John raised his eyebrows, pushed a deep breath from his pursed lips, reminding her to keep calm and keep trying. She grunted and tried again. John gave her an unnoticeable push and she slid forward a foot and pushed the other pedal and got out of her spot, pressed forward further until she reached the end of the entry sidewalk.

I did it!

Great job, kiddo. Try it one more time?

Just one more?

Just one more. You might get too wet.

I promise I won’t. I am waterproof.

I wish you were.

Fine. One more time. Let’s go!

She pushed on the pedal but her foot slipped off the teeth and down to the ground.  The bike tipped sideways and she began to fall. John grabbed her arm and pulled up before she hit the pavement. The bike clinked to the cement. She began to cry, her eyes closed and her mouth wide, devastated. John pulled her close and reassured her, laughed a little at her dramatics.

It’s not funny, Dad.

It’s a little funny. Everything is fine. You and your bike were lucky.

I don’t think it’s funny.

She wiped her face hard, her nose and eyes.

Let’s just go inside, she said.

You don’t want to –

He looked at her face. It was stern and disappointed – an exact replica of her mother. The rain tapped on her coat.

Alright, kiddo. Let’s go inside.

–

Andrew Gordon Rogers graduated from the University of Kansas with a BA in Creative Writing and currently works in Marketing. He resides in the Kansas City metro area, with his wife and two children, and spends his free time working on short stories and his first collection of poems, entitled Stations. His poems have appeared in Kiosk, Houston Literary Review, and Counterexample Poetics. Excerpts from his work are often posted here: http://backgroundnoiseblog.tumblr.com.

My husband Troy was born without lips. I often mistook his constantly exposed teeth for clouds or marble countertops, which led me to believe that he was the kind of guy who would sit me down and read me Thoreau’s “Walden” from cover to cover, or at the very least, write me a poem that reminded me of a balloon being released from captivity between a little girl’s toes.

While classmates made fun of Troy, I stood beside him in gym class, shared a seat with him on the bus, and combed his hair every day after school. There was only one thing that Troy enjoyed more than getting his hair combed, and that was kissing. I was Troy’s first kiss; it happened during our sixth grade dance. He leaned in; I leaned out; he leaned in some more. I would compare that kiss to building a sandcastle in the middle of a snowstorm: it just didn’t work. Not because everyone was pointing and laughing at us, but because I had no experience whatsoever when it came to kissing teeth.

Even if the person you’re currently dating was born with lips, I bet you don’t know how to kiss that person’s teeth in such a way that would make butterflies-to-be perspire in their silky cocoons. And I bet you wouldn’t know how much pressure to apply to his teeth with your tongue so that you could use his plaque to tell the current temperature of Alaska.

No one ever said that kissing teeth was easy. But there, in Troy’s open cavern of a mouth, I’ve since discovered hieroglyphics that make Egyptians look like porn stars. I’ve baptized and named all of my unborn children. I’ve lifted my lantern above my head and sang “Hallelujah” in my best operatic voice.

Every night while tucking Troy into bed, his mother tried to comfort him by insisting that he could kiss any girl he wanted and that there were other people in the world just like him—people born without certain body parts or features. Armless people, legless people, hairless people, fingerless people: these people exist, she would say, so let’s try to dream about them tonight!

Instead, Troy dreamed of another group of people: the heartless.

“Lipless Loser” remained Troy’s nickname all throughout school, and despite warnings from teachers, our classmates still found ways to remind Troy that he was a “freak.” Combing his hair every day after school, as simple a task it was, became a way for me to help Troy relax and forget about the relentless teasing.

So, too, did kissing.

We kissed so much that I eventually realized that it wasn’t I who was teaching Troy how to kiss; he was teaching me. There were times when Troy would kiss me so passionately that I thought I was capable of counting all of his tastebuds. Other times, he kissed me so gently that I thought his teeth were made of freshly spun cotton candy.

This year for our 10-year wedding anniversary, I’m buying Troy a new comb: a fine-toothed comb that’s not nearly as fine as the teeth in Troy’s mouth that I never tire of counting with the tip of my calloused tongue.

 Kayla Pongrac Schwerer is a writer, reader, chai tea drinker, and vinyl record spinner. To read more of Kayla’s work, visit www.kaylapongrac.com.

Spiderman has stopped replying to Gregor Samsa’s letters.

Benjamin Judge graduated from the Centre for New Writing at The University of Manchester with a master’s degree in Creative Writing. He writes words. He feeds the birds, but he doesn’t trust them.

My boyfriend is stuck in a tree.  Great.

He looks good up there, all pale and panicky.  I like seeing him embarrassed.  It was his idiot move to climb up there in the first place.  I cannot radiate sympathy.  I have never been able to.  I’m sitting on the lawn winding my ghostly music box.  I refuse to run and find help because I’m nobody’s servant.

My boyfriend is stuck in a tree.  Wonderful.

It’s definitely a good thing that this happened.  He’s been getting quite uppity and full of himself lately.  Being trapped in a tree for a few hours will knock him down a few pegs.  He won’t talk quite so much about his indie rock shows after this.  He won’t compare himself to David Bowie.  He won’t buy other girls chocolate éclairs and cappuccino.

My boyfriend is from France.  He pronounces my name “So-Fee-Yah”, which I like.  Sometimes it’s “So-Fie-Yah” when he’s being funny.  Every once in a while he is extremely funny.  It’s one of his redeeming features.  That and high cheekbones.

My boyfriend is stuck in a tree.  Stellar.

His striped sweater looks good.  It’s an April kind of sweater, but it’s still March.  I cannot wait to graduate and go to college.  I cannot wait to waste my summer with The X-Files.

My grandmother gave me the music box.  The song freaks people out.  It’s the kind of song that makes you think of empty halls leading to empty rooms that were once filled with sadness.  My grandmother is dead.

My boyfriend is stuck in a tree.  Lunar.

It is becoming nighttime and I’m still ignoring his pleas for help.  He’s going to be pissed at me when they finally get him down, but I don’t care.  I’m going to lie on the grass for a little longer.  The first bat of the season is flying in dizzying spirals across the velvet sky.

So-Fee-Yah, you must go get help.  Please.

Good one, lover.  You’re stuck in a tree.  Just like a cat.  I could lure you down with tuna, I bet.

I wonder how many stoned teenagers the FDNY has to pull out of trees per year.  Probably at least thirteen.

My boyfriend is stuck in a tree.  Great.

Michael Giddings writes stories about junk food and the laughter of cartoon dogs.  He occasionally performs music under the stage name Mikey Parasite.  A graduate of Sarah Lawrence College, Michael is currently pursuing his MFA at Northern Michigan University.

Lori got swept out to sea about two hours ago. Yes. Sure did. Playa Grande. I saw her in the zone, then checked again, beyond the surfers. She waved. She waved again. Fuck. I handed my glasses to Mesa and Reef and yelled Stay on the beach. I ran. Heart pumping crazy. Hit the surf. Swam. Big MFer comes. Under or over? Over. Wrong. Swim through another, under this time, and another and another. Where is she? I’m fuckin dying. There. I spot her. Blurred. I get there. Somehow. She’s scared. I’m scared. I’m glad you’re here, she says. I’m spent. The waves are breaking. Big. Gotta get back. Hold on I say, hold on to my waist. I’m swimming hard with what I got left. Not much. We surf one, we surf another but this one sucks us down. And out. GD I think this is it. Something in my mind clicks, swim diagonal.  Diagonal. Then a rock. A fucking rock in the sea. Five seconds on a lucky rock. Recharge. Mouth just above the froth. Next wave knocks us down. It’s enough. We surf another and gain. I see the beach, the final line of breakers. Crashing. Touch. Sand. Mesa at the shoreline. Reef building castles. Friday the 13^th. Luck.

Richard Mark Glover has published short stories with Oyster Boy Review, Oracle, Weird Year, Sinister Tales, Canary, and won the 2004 Eugene Walters Short Story Award. His journalism has appeared in the San Antonio Express News, West Hawaii Today, Ke Ola and the Big Bend Sentinel where he won the 2010 Texas Press Association Best Feature Award, medium size weekly.